Since I first started dyeing my own fabric as part of my City and Guilds course and discovering that it is something I love doing, I have dyed many, many yards of fabric, bought numerous books and done several online courses, but recently I haven’t been so happy with the results. It seems that every single person who writes about dyeing or does a class has a different method and dye recipe. The consequence is that I seem to have got confused trying all the different methods and am no longer sure what works best for me. There are so many variables when it comes to mixing the dyes, what quantity to use, how long to leave them how much water to use etc. and there is a huge variation between the different methods.
I find Linda Johansen’s Fabric Dyer’s Dictionary is useful when I want to dye a specific colour for something and sometimes I want fabrics without too much texture and colour variation, but I was looking for something that would give a bit more exciting results for other projects. Ann Johnston’s “Color by Accident” is another good book but I was still looking for a slightly different and more intuitive approach.
At the Festival of Quilts in Birmingham this year, I bought yet another book on dyeing in the hope that it might help me with my dilemma, “Tray Dyeing” by Leslie Morgan and Claire Benn. I found the book inspiring and I liked the fact that they approach the subject as artists rather than scientists, giving plenty of directions but also encouraging one to experiment.
I just mixed several colours to start as I wanted to see how these would turn out before dyeing a lot of fabric. I used golden yellow, a medium blue, turquoise and a little black, and made use of cheap local calico which I’d prewashed.
They recommend leaving a minimum of four hours and even better overnight, so as I was impatient to see the results I only left them to sit for four hours before rinsing. Straight away I could see that the fabrics looked very promising and I liked most of the results.
Golden yellow on its own.
Blue and turquoise.
Golden yellow and blue
Golden yellow and back.
The good thing about dyeing is that you can always overdue something that doesn’t turn out too well. I had a pale lemon yellow from a gradation I did which was a bit insipid, adding golden yellow really gave it some zing!
This yellow and blue also turned out well.
Now to go and buy some more fabric and try out some more combinations, and of course if you don’t like the results first time you can always dye them again.