I started off with some hand painted ’sky’ fabrics left over from other projects, then couched down several strands of  hand dyed embellishment yarn. I used a free motion zigzag and invisible thread for the couching. I took some scraps of hand dyed and batik fabrics backed with ‘Misty Fuse’  to make the flowers and leaves.

I cut the fabric into tiny random snippets with sharp scissors. I’ve only recently started using Misty Fuse but so far I have found it very good to use as it is light weight, bonds well and doesn’t gum up the needle.

These were applied to the background stems using tweezers as the pieces were so tiny.

The leaves and flowers fused in place ready to be embellished with free motion stitching. I used several different shades of green rayon thread for the leaves and then several different pinks for the flowers.  Bougainvilleas come in a wide range of colours here in Brunei apart from the standard bright pink that you mostly see across Europe, so it was a good opportunity to play with some of the fabrics I don’t tend to use so much and make a series of cards. Once all the stitching was complete I backed the cards with Fast 2 Fuse, trimmed to size and then zigzagged the edges using variegated thread.

The original design was inspired by a piece of Indonesian commercial printed batik sarong fabric  that I bought locally here in Brunei. I’d originally planned to use it for patchwork but I felt that the design was too nice to cut up but it took me a long time before I finally made it into an applique pattern.

The original piece of batik from which I made the pattern

Once I’d made the pattern the challenge was to choose the colours that I would use for the applique as I didn’t want to use the rather dull brown, black and white of the original. I chose a dark blue, almost black mottled hand dyed batik fabric for the background and pale pastel colours for the flowers, stems and leaves.

The tail feathers and wings were quite a challenge.

The two birds amongst the flowers

The image above shows the design that I drew out in EQ6, ready to be made into an applique pattern. I decided to use invisible machine applique for this project as the pieces were large enough for the edges to be turned under, so I printed freezer paper templates and contstructed the bird before adding it to the background.

 It was quite similar to make to a hornbill but the biggest challenge was getting the colouring and markings on the beak. I searched through my piles of fabric and found two different batiks which blended blues and yellows. I then added the details using fabric pens. I also added a little touch of colour where the yellow feathers join the black.

For the background I chose a lovely hand dyed fabric by Frieda Anderson that I bought at the Festival of Quilts last year. Sometimes I find it hard it’s hard to cut into these special fabrics, but in the end I have to tell myself that I bought them to be used and they really do help to give  a special touch to the finished design.

The finished wall hanging, quilted with a variegated cotton thread in the background and a solid coloured thread for the borders.

A more detailed photo of the finished wall hanging.

Other people chose to feature green fabrics in their work and I was one of those, as it’s my favourite colour and I enjoy working with greens. For my project I created a foundation pieced background of ‘crazy’ blocks which I printed out from EQ6. I then used invisible machine appliqué to add a jungle plant, spilling out into the borders. In the latter stages I was racing against the clock to get the challenge finished by the end of the month but I just managed.

Quilting with variegated and solid coloured cotton threads completes the design. Initially I started to quilt a trailing leaf design in the borders but then had to unpick what I’d done as I felt that it didn’t look right and drew too much attention away from the main design.

inspiration photographs and some of the fabrics I've chosen.

Most of the fabrics I use are batiks or hand dyes, because of the subtle colour variations which I can use to replicate the patterns of the rocks in the background and foreground.

starting to build up the designMolly watching the progress of the waterfall

Building up the background for the waterfall using a variety of different batik and hand dyed fabriccs.  For the area at the back of the waterfall I used a preprinted fabric and used fabric pens to emphasise the trunks and branches of the trees.

I’ve used invisible machine applique to construct this top, first making templates from freezer paper which I iron on to the right side of the fabric.  I clip the seams, brush the edges with liquid starch, then turn under the edges using the tip of an iron. It is time consuming but I prefer this method to ironing the freezer paper on the wrong side and glueing the edges because this way I don’t have freezer paper to remove after. I also prefer the look of turned under edges.

For the waterfall I used a batik fabric as the base, then added details using Shiva paintstiks and Angelina fibre. The rocks are all added individually and I have turned under the edges of each one. It’s a slow process but little by little I’m getting there.

adding the rocks to the foreground.

Little by little I am adding all the rocks, then the next step will be to add some foliage to the foreground and background.

I start with a freezer paper template which I iron onto the right side of my gecko fabric. My favourite fabrics are batiks because they are tightly woven and fray less and also because of their  gorgeous colours and patterns.

freezer paper template

I draw round the template using a white fabric marker pen which disappears with heat or water or if I’m using a pale fabric I’ll use permanent fabric marker. I leave the template in place while I cut out roughly round the design. I prefer to leave it there until after I’ve cut it out because it’s easier to handle and you’re less likely to snip into the design by mistake.

I next pin the gecko in place on my background fabric, using fine or short pins. Short pins are good because the thread doesn’t get caught up on them so much.

applique shape pinned to background fabric

I use YLI silk thread and a #11 ‘sharp’ needle to hand stitch the gecko, the silk thread is so fine that it is much easier to make small and almost invisible stitches. I cut a piece of thread 16 – 18 inches long and make a knot in one end. People often want to use too long a piece of thread to avoid having to thread the needle so often, but this isn’t a good idea because the thread gets tangled and tends to shred. I trim the seams as I go along and because I am using a firmly woven fabric I can use very narrow ones without fear of them fraying. I usually trim them to less than a ¼ inch, especially around the toes of the gecko.

Getting started. The knot is buried in the seam and folded edge held in place with thumb.

To start, insert the needle from the back of the appliqué shape and bring it up on the right side at the point where you want to start sewing. It’s easiest to start on a straight edge so with my geckos I always start on the body part.

Wooden toothpick used to turn under edge

Fold over the edge of the appliqué along the seam line, my favourite tool for this is an ordinary wooden toothpick because the slightly rough edge catches the fabric and makes it much easier to turn under. Use the toothpick to smooth the turned under edge and then I use my thumb to hold it in place. I make a straight stitch into the background fabric at the point where I brought the needle out of the appliqué, and then make a very short stitch bringing the needle up through the folded edge. Continue in this way all round the edge of the appliqué shape.

 For sharp inner curves, such as where the body meets the legs, or the gecko toes, I clip right to the seam line, but on a gentle inner curve like the tail I just make small snips within the seam allowance. I never clip outside curves.

This is how the stitching looks from the wrong side.

Another finished gecko wall hanging

To make the palm tree I first drew out the basic shape on a piece of water soluble stabilizer and then assembled a sandwich consisting of a layer of water soluble stabilzer on the bottom, a piece of fine tulle and then another layer of stabilizer on top with the image drawn on it. I used a fine polyester thread in the bobbin and then a thicker thread in the needle with a free motion foot and the feed dogs down. I sketched a basic outline first and then went back filling in the detail and using different threads for detail in the palm fronds and trunk.

I used the same method for the palm tree above but just using black threads for the sunset silhuette. These cards are such a good way of using various bits of leftover fabric. This is from a piece I painted some time ago and didn’t really like but it works well in this small design.

For the third card I stitched directly onto the fabric using stabilizer and a hoop but this one didn’t turn out so well because there was a bit of puckering around the edges of the palm fronds.

I was going to discard it, but then I wondered what would happen if I quilted it, no harm in practising some free motion quilting. I layered it up with some thin batting and using invisible thread I did some fairly fine stippling in the sky area and I was pleased to find that all the puckering disappeared.

For my first postcards I used some free motion embroidered leaves on organza which I had left over from another project. I stitched these to some batik fabric which I then backed with some ordinary stabilizer and decorated with free motion stitching. I then removed most of the stabilizer and fused the design to the Fast2Fuse and a backing fabric, then cut to the correct size. I used a satin stitch with variegated thread to go round the edges.

The next cards I did, were made using some fabric that I had hand painted and then made into an experimental seascape with rocks, spray and waves. 

The Fast2Fuse is quite thick, but I found that using a number 12 topstitch needle I had no problems going round the edges with two rows of close zig zag.

For the next two cards I used some left over Mickey Lawler Skydyes fabric and added some daisies using raw edge applique and a bit of free motion embroidery. For these cards I added some lightweight batting and quilted them before adding the interfacing and backing.

For the last postcards I used up another experimental project. This time a collage of purple flowers and leaves which I cut without using any pattern and then embellished with couched yarn. These cards were also quilted before fusing to the stabilizer.

These cards are great fun to make and I can see why many people say that they find them addictive to do. They are relatively quick to complete, a good way of using up left over bits and pieces from other projects, and also an excellent way of trying out new techniques.

I was going through my stash of browns and autumnal colours looking for fabric to complete another project when one of the batiks caught my eye and I thought it would be just right for my leaves. I just added a simple border as I felt the design didn’t need anything else.

The colours of the border fabric compliment the colours I have used in the leaves. I quilted in the background using a fine black 50wt cotton thread and because there is no quilting on the leaves they stand out well from the background. I used a thicker variegated cotton 40wt thread in the borders.

Detail of the leaf rubbing and quilted background

Close up showing thread painting on the flower and butterfly

 I did all the embellishment before adding batting and backing because I wanted the butterfly to stand out from the background. These photos show the design with the quilting completed because the original photos I took didn’t come out very well thanks to a nice smeary finger print across the lens of my camera.

thread painitng on the butterfly and flower

So once this was complete I sandwiched it all together and then began the quilting. I didn’t want the quilting in the background to stand out and draw attention away from the butterfly so I used a fine 50wt cotton thread which blended well into the hand dyed fabric which I used for the background. For the borders I used a thicker variegated thread and a trailing leaf pattern.

The finished wall hanging