The original design was inspired by a piece of Indonesian commercial printed batik sarong fabric  that I bought locally here in Brunei. I’d originally planned to use it for patchwork but I felt that the design was too nice to cut up but it took me a long time before I finally made it into an applique pattern.

The original piece of batik from which I made the pattern

Once I’d made the pattern the challenge was to choose the colours that I would use for the applique as I didn’t want to use the rather dull brown, black and white of the original. I chose a dark blue, almost black mottled hand dyed batik fabric for the background and pale pastel colours for the flowers, stems and leaves.

The tail feathers and wings were quite a challenge.

The two birds amongst the flowers

I imported the photo into EQ6 and then because of the complexity of the design I decided I would draw out the pattern in two parts, first concentrating on the hornbill and then creating another layout focusing on the background palm fronds. I did this and then once the background was drawn I copied and pasted the hornbill into the background.

To create the wall hanging I started off with some fabric that I had hand painted for the sky and invisible machine appliqué to construct the design. Normally I use freezer paper templates which I iron to the wrong side of the fabric and then remove after the construction is completed but for this design as there were so many small pieces I didn’t want to have to cut the back to remove the paper. I used a different method where I still use freezer paper templates but iron the paper to the front side of the fabric and then turn the edges under to wrong side using the tip of an iron and spray starch painted onto the seam allowance. The spray starch helps to hold the seam allowance in place.

I printed out the full size pattern from EQ6 and then traced the outlines onto a stabilizer which I pinned in place under my ‘sky’ fabric. The fabric was light enough for me to be able to see the lines through so that I could place my pieces accurately.

I used a lot of fine pins to hold the appliqué pieces in place for stitching. I used invisible thread with a fine thread in the bobbin and a very fine needle (#60/8) and started stitching the pieces in place a few at a time as I built up the design on the background.

I had a lovely striped batik fabric which proved to be just perfect for creating the varied colouring of the palm fronds.

The fronds at the lower edge of the picture were so small and had such sharp points that I decided to fuse them in and use raw edge appliqué. To quilt I used invisible thread and outlined all the fronds and the bird, with stippling in the background areas and meander quilting with variegated cotton thread in the borders.

The finished design.

While I was taking photos of this bird we heard hornbills in the trees on the other side of the garden near the beach. Pied hornbills are quite plentiful here in Kuala Belait where we live, but we don’t get them very often in our garden so I was very happy to see this pair especially as I had my camera and zoom lens at the ready. The female stayed in amongst the trees so I wasn’t able to get any pictures but the male posed obligingly on an exposed branch.

I was inspired by the photos I took and for a while now I have been thinking about designing a new hornbill wall hanging so later I imported one of my photos into EQ6 and planned out a new design.

This is the new design for my hornbill wall hanging which I hope to start stitching in the next few days.