SAQA Oceania Blog Hop 2016: Dancing Ferns

Dancing Ferns

I rejoined SAQA (Studio Art Quilts Associates) earlier this year and although I am based in Brunei, on the island of Borneo I was able to join the Oceania Group. Every year SAQA hold a benefit auction in which members donate 12” x 12” quilts which are then auctioned to raise funds. This year’s auction start on September 16th and you can find out more details on the SAQA web site. The auction is divided into three sections and my piece is in the third section taking place from October 3rd-9th.This year I entered a quilt for the first time and it is included along with 35 other quilts in the Oceania Collection and you can see details of these and the other participants here http://www.saqa-oceania.blogspot.com.au

Most of the work I do is inspired by the natural world around me and my auction piece “Dancing Ferns #1” is no exception and I have gone from the tropical rain forest to my garden where I have many of these graceful ferns growing and swaying gently in the breeze.

For the background ferns I made freezer paper templates and then used fabric paints and an old toothbrush to splatter paint on a piece of my hand dyed fabric. Using this technique gives a more subtle effect thank filling in the area with solid colour.

stencilled background ferns

I then fused the foreground ferns and appliquéd in place using a small satin stitch and fine 50wt Aurifil cotton thread because I wanted the stitching to blend and not be a dominant feature of the design.

appliquéd ferns

Finally I stitched rows of echo quilting around all the ferns again using the 50wt cotton thread. The echo quilting helps to give a sense of movement which is why I named these Dancing Ferns.

IMG_1882

The next person following on from me in the 2016 Oceania Blog Hop is:

Carolyn Collins carolyncollinsart.com/art-blog on 12th September

And before me was Rasa Mauragis rasamauragis.com/blog

Fan Palms

I have just started work on a new series of  small wall hangings inspired by the fan palms in the Borneo rain forest. It’s been a while since I started a completely new project but this is one I have been thinking about doing for a while now and I finally got started after a recent trip to the forest.

fan palms Lambir

Unfortunately our walk was cut short by a big thunderstorm but not before I had taken plenty of fan palm photos, I then took one of these and made a number of crops so I can experiment with different views of the same design. I drew out my patterns in EQ7 because I want to later scale up any of the designs I particularly like.

I started off with making some freezer paper stencils and getting my old Painstiks out to make the background palm fronds.

stencils and paintstiks

I then traced the design of the palm frond onto fusible web and applied that to some hand dyed fabric. Have chosen to use raw edge appliqué for these small quilts because there are a lot of very narrow inside curves, so I layered up the top with batting and backing then stitched round all the edges of the palm fronds using a matching thread. I then used a darker thread to stitch all the ridges in the leaves.

fused shape applied over background stencil

Before doing this the design had looked very flat, but stitching in all the lines brings the design to life and gives it texture.

IMG_2169

Finally I used a dark variegated thread to make lines of dense echo quilting in the background which again helps to make the palm frond stand out.

Fan Palm square crop

Fan Palm, the square crop.

Fan Palm fronds over stencilled background.

Fan Palm fronds over stencilled background.

First attempts at fabric design

Driftwood cushion

I am between quilting projects at the moment so while waiting for inspiration I have been having a go at designing my own fabrics and was excited to receive the first samples of my work last week from Spoonflower. I was really happy with how they turned out. They were even better than I was expecting because being my first attempt at creating repeat patterns it took quite a lot of trial and error to get the designs as I wanted them but I enjoyed the process and can’t wait to try some more ideas.

fabric samples from Spoonflower

I have used my quilt designs, drawings and photographs for inspiration for the fabrics. The gecko fabric is from one of my appliqué designs, and the flowers from drawings and watercolour sketches of periwinkle flowers that grow in our garden.

Inspiration for my periwinkle designs

The Driftwood fabric started off as a photo that I took of some driftwood on the local beach and then the image was mirrored and then mirrored again so that I could use it for a repeat design. I made this up into a cushion and I think it would look really great with outdoor furniture or very elegant on a plain cream, burgundy or back sofa or arm chair.

Driftwood cushion on chair

 

Flying Home

It has been an awful long time since I updated my blog but one of my new year’s resolutions for 2016 is to try and write more regularly, so here goes with my first post for 2016.

I recently tried out a new technique using up scraps of leftover hand dyed fabrics. They were just thin strips which I would normally have thrown away. I laid them out and fused them onto a piece of backing fabric. As the fabric scraps I had were oranges, golds and reds I created a sunset sky and then as I liked the effect I added dark blues for sea.

narrow fabric strips laid out on background

Like this there were a lot of raw edges exposed so next came the fun part. I got out a selection of various threads: rayon, polyester, cotton, some plain some variegated and of different weights too and free motion stitched across the surface. The stitching helps to blend the colours.

free motion stitching on background using a variety of threads The scene needed something else so I added the silhouette of an egret which I’d photographed on the beach a few weeks ago and created a pattern using #EQ7.

silhouette of egret on stitched background Finally a layer of batting and backing and more free motion stitching and a narrow binding to finish off the project.

Egret flying home across the south China sea

Flying Home

Forest Giant revisited

It doesn’t seem like like I’ve been back in Brunei a week already. In some ways it feels like I’ve been back longer, and the Festival of Quilts in Birmingham feels like an age away. Having my own stand there for the first time was a great experience, and I really enjoyed meeting and chatting to so many lovely people from all over the world, as well as catching up with a few ‘old’ friends. Thanks to everybody who came by, it was really a pleasure talking to you all. Lots of people wanted patterns so that’s something I’m going to work on for the future.

One of the wall hangings that many people commented on was my “Forest Giant”, a new version of  apiece I first made several years ago. A lot of people were interested to know how I made it so here it is again with some pictures showing the various stages.

I started off with a piece of my hand dyed fabric for the background, then added a few strips of fabric for tree trunks and then the main tree.
When I made this design before I used a single piece of fabric for the base of the forest floor but this time I decided to add various hand dyed strips to give more variety.
Then began the very time consuming process of adding all the leaves. I used lots of different scraps of fabric to give depth to the design. I backed each scrap with fusible webbing, the cut leaf shapes. Each leaf was then added individually. I would do a batch then fuse in place a few at a time …… not a good time to sneeze or have one of the cats walk over my design board!
I continued in this way until the background was covered as much as I wanted it. Then it was time for the final details and free motion stitching to complete the piece. I used a large number of different threads to achieve the look I wanted.

Isle of Wight landscapes

While I was at The Festival of Quilts last year I was impressed by the beautiful landscape quilts by Kathleen Matthews. I bought her book “Stitched Textile Landscapes” but it is only now, six months later that I have had a  go at trying out her techniques, and this is what I came up with, inspired by some photos taken on the Isle of Wight when I was back there a couple of years ago.

This is the place where I was born and grew up so it has many fond memories for me.

My inspiration photo and a selection of my hand dyed fabrics for the background. The pieces were first pinned and then stitched in place, quite a fiddly job with all the small pieces.

The background assembled and stitched in place. It looks quite plain at this stage although already you get the feeling of depth. The fun part comes with the free motion stitching which really brings the design to life.

I used mostly rayon threads for the free motion embroidery, but a few cotton and polyester threads too, depending on what colours I needed for the look I wanted.

I was really pleased with the way this turned out so I decided to try another one based on another Isle of Wight photo. This time the view from Forelands beach where I used to live, looking across to Whitecliff Bay and Culver Down. I used to look out on this every day and have always wanted to make something inspired by this view.

The first stages before the thread embellishment. I didn’t have any hand dyed fabric the right colour for the sea but found a piece of piece of cloth I painted years ago which was just perfect.

The finished piece. I think there might have to be a series of these as I’m really enjoying making them and I have heaps of photos for inspiration and it makes quite a nice change to be doing work inspired by a different location, although this technique would probably work for some of my rain forest designs too.

Jungle Leaves

I recently signed up for a Craftsy class with Gloria Loughman called “Linear Landscape Quilts”. It’s  a really good class and the first sections on choosing colour schemes and fabric painting are almost a class on their own. To make her “linear landscapes” she uses two layers of fabric and a clever raw edge applique technique which reveals slithers of the underneath fabric to create the effect of contours. The landscape she created is very appealing but as I watched the video I realized that this technique could be adapted for things other than landscapes so I decided to try it out on one of my own designs.

My inspiration was this jungle plant which grows in the Sarawak rain forest and has beautiful curved and ribbed leaves.

My first piece is a close up study of these leaves using some of my hand dyed fabrics.

I was happy with the way that this first piece turned out so I decided to try it on a larger design using the complete leaves.

I used a bright green for the base, with a darker green for the main part of the leaf, and made three pieces like this. It’s  time consuming but very effective.

Rain Forest Quilt 2012

After taking a break from sewing over the month of December I started work in January on a new rain forest inspired quilt which I have been commissioned to make. I started by gathering together all my fabrics in various shades of browns and greens which I will use for the foliage, trees and forest floor.

my inspiration photo

I used foundation pieced crazy blocks in several different designs to create the base of the design: the forest floor and the background foliage.

selection of fabrics and inspiration photo for forest floor

making the foundation pieced blocks for forest floor

The finished background still has too many straight lines and abrupt changes of colour, but the next process of the design will be to add small fabric snippets to create more subtle blending especially where the foliage and forest floor meet.

the pieced background which will form the basis for the design

 

 

Forest Waterfall

A few weeks a go I started work on a new rain forest waterfall design. I first drew out the basic background design onto nonwoven stabilizer and then gathered together my selection of fabrics for the background forest, rocks, pool and and sandy foreground, mostly batiks and hand dyes.

I started with the lighter background area behind the waterfall. Before starting work on the main quilt I made a small experimental post card sized piece to try out the technique I wanted to use.

Once all the pieces were fused in place, I added free motion stitching to give greater depth and create the impression of foliage. I then started to build up the layers of rock using invisible machine applique.

Of course, as usual I had my feline ‘helper’ making stitching a little difficult at times.

 

With the background now completed it is time for the fun part….adding all the details and embellishments. So far I have started adding a few snippets to give the effect of foliage in the areas surrounding the waterfall. These have been fused in place and then once I am happy with  the arrangement I will add free motion stitching and some couched yarns.

For the waterfall I used some fine tulle which I shaped into folds to give the impression of flowing water and held in place with a free motion zig zag stitch and invisible thread then further free motion stitching and rayon thread. Behind the tulle I added a layer of angelina fibres to add a bit of sparkle.

The waterfall before being stitched down. I will next start to add rocks and foliage to the foreground.

Sketching in the Jungle

A couple of weeks ago I took my sketchbook to do some drawing in the jungle. It is something I have thought of doing before but one of those things I hadn’t got round to until now.

The first place I stopped was only just inside the forest, an old tree stump, surrounded by an abundance of growth and an ideal place to stop and make my first sketches.

Over the years I have taken many photos in the rain forest and used them as inspiration for my quilts, but there is a very different feeling when you take the time to stop and draw a plant. One becomes far more aware of the shape, shading, texture and various patterns, all of which are important to me when it comes to creating a new design.

some of my rough sketches

I was prompted to do this sketching as part of the City and Guilds Course on Creative Quiltmaking which I started at the end of last year. I am studying the course online through Linda and Laura Kemshall at Design Matters and I’m finding it wonderfully inspiring even though I haven’t even begun to do any stitching yet.

more detailed drawings made at home

Almost all the sketches I made were of various leaves and plants as the purpose of the exercise was to concentrate on shapes and patterns rather than texture or colours. When I got home and did some more detailed drawings I was constantly thinking how these designs could be interpreted in fabric, quilting or thread painting.

simple line drawings in pen