Forest Giant revisited

It doesn’t seem like like I’ve been back in Brunei a week already. In some ways it feels like I’ve been back longer, and the Festival of Quilts in Birmingham feels like an age away. Having my own stand there for the first time was a great experience, and I really enjoyed meeting and chatting to so many lovely people from all over the world, as well as catching up with a few ‘old’ friends. Thanks to everybody who came by, it was really a pleasure talking to you all. Lots of people wanted patterns so that’s something I’m going to work on for the future.

One of the wall hangings that many people commented on was my “Forest Giant”, a new version of  apiece I first made several years ago. A lot of people were interested to know how I made it so here it is again with some pictures showing the various stages.

I started off with a piece of my hand dyed fabric for the background, then added a few strips of fabric for tree trunks and then the main tree.
When I made this design before I used a single piece of fabric for the base of the forest floor but this time I decided to add various hand dyed strips to give more variety.
Then began the very time consuming process of adding all the leaves. I used lots of different scraps of fabric to give depth to the design. I backed each scrap with fusible webbing, the cut leaf shapes. Each leaf was then added individually. I would do a batch then fuse in place a few at a time …… not a good time to sneeze or have one of the cats walk over my design board!
I continued in this way until the background was covered as much as I wanted it. Then it was time for the final details and free motion stitching to complete the piece. I used a large number of different threads to achieve the look I wanted.

Isle of Wight landscapes

While I was at The Festival of Quilts last year I was impressed by the beautiful landscape quilts by Kathleen Matthews. I bought her book “Stitched Textile Landscapes” but it is only now, six months later that I have had a  go at trying out her techniques, and this is what I came up with, inspired by some photos taken on the Isle of Wight when I was back there a couple of years ago.

This is the place where I was born and grew up so it has many fond memories for me.

My inspiration photo and a selection of my hand dyed fabrics for the background. The pieces were first pinned and then stitched in place, quite a fiddly job with all the small pieces.

The background assembled and stitched in place. It looks quite plain at this stage although already you get the feeling of depth. The fun part comes with the free motion stitching which really brings the design to life.

I used mostly rayon threads for the free motion embroidery, but a few cotton and polyester threads too, depending on what colours I needed for the look I wanted.

I was really pleased with the way this turned out so I decided to try another one based on another Isle of Wight photo. This time the view from Forelands beach where I used to live, looking across to Whitecliff Bay and Culver Down. I used to look out on this every day and have always wanted to make something inspired by this view.

The first stages before the thread embellishment. I didn’t have any hand dyed fabric the right colour for the sea but found a piece of piece of cloth I painted years ago which was just perfect.

The finished piece. I think there might have to be a series of these as I’m really enjoying making them and I have heaps of photos for inspiration and it makes quite a nice change to be doing work inspired by a different location, although this technique would probably work for some of my rain forest designs too.

Jungle Leaves

I recently signed up for a Craftsy class with Gloria Loughman called “Linear Landscape Quilts”. It’s  a really good class and the first sections on choosing colour schemes and fabric painting are almost a class on their own. To make her “linear landscapes” she uses two layers of fabric and a clever raw edge applique technique which reveals slithers of the underneath fabric to create the effect of contours. The landscape she created is very appealing but as I watched the video I realized that this technique could be adapted for things other than landscapes so I decided to try it out on one of my own designs.

My inspiration was this jungle plant which grows in the Sarawak rain forest and has beautiful curved and ribbed leaves.

My first piece is a close up study of these leaves using some of my hand dyed fabrics.

I was happy with the way that this first piece turned out so I decided to try it on a larger design using the complete leaves.

I used a bright green for the base, with a darker green for the main part of the leaf, and made three pieces like this. It’s  time consuming but very effective.

Rain Forest Quilt 2012

After taking a break from sewing over the month of December I started work in January on a new rain forest inspired quilt which I have been commissioned to make. I started by gathering together all my fabrics in various shades of browns and greens which I will use for the foliage, trees and forest floor.

my inspiration photo

I used foundation pieced crazy blocks in several different designs to create the base of the design: the forest floor and the background foliage.

selection of fabrics and inspiration photo for forest floor

making the foundation pieced blocks for forest floor

The finished background still has too many straight lines and abrupt changes of colour, but the next process of the design will be to add small fabric snippets to create more subtle blending especially where the foliage and forest floor meet.

the pieced background which will form the basis for the design

 

 

Forest Waterfall

A few weeks a go I started work on a new rain forest waterfall design. I first drew out the basic background design onto nonwoven stabilizer and then gathered together my selection of fabrics for the background forest, rocks, pool and and sandy foreground, mostly batiks and hand dyes.

I started with the lighter background area behind the waterfall. Before starting work on the main quilt I made a small experimental post card sized piece to try out the technique I wanted to use.

Once all the pieces were fused in place, I added free motion stitching to give greater depth and create the impression of foliage. I then started to build up the layers of rock using invisible machine applique.

Of course, as usual I had my feline ‘helper’ making stitching a little difficult at times.

 

With the background now completed it is time for the fun part….adding all the details and embellishments. So far I have started adding a few snippets to give the effect of foliage in the areas surrounding the waterfall. These have been fused in place and then once I am happy with  the arrangement I will add free motion stitching and some couched yarns.

For the waterfall I used some fine tulle which I shaped into folds to give the impression of flowing water and held in place with a free motion zig zag stitch and invisible thread then further free motion stitching and rayon thread. Behind the tulle I added a layer of angelina fibres to add a bit of sparkle.

The waterfall before being stitched down. I will next start to add rocks and foliage to the foreground.

Sketching in the Jungle

A couple of weeks ago I took my sketchbook to do some drawing in the jungle. It is something I have thought of doing before but one of those things I hadn’t got round to until now.

The first place I stopped was only just inside the forest, an old tree stump, surrounded by an abundance of growth and an ideal place to stop and make my first sketches.

Over the years I have taken many photos in the rain forest and used them as inspiration for my quilts, but there is a very different feeling when you take the time to stop and draw a plant. One becomes far more aware of the shape, shading, texture and various patterns, all of which are important to me when it comes to creating a new design.

some of my rough sketches

I was prompted to do this sketching as part of the City and Guilds Course on Creative Quiltmaking which I started at the end of last year. I am studying the course online through Linda and Laura Kemshall at Design Matters and I’m finding it wonderfully inspiring even though I haven’t even begun to do any stitching yet.

more detailed drawings made at home

Almost all the sketches I made were of various leaves and plants as the purpose of the exercise was to concentrate on shapes and patterns rather than texture or colours. When I got home and did some more detailed drawings I was constantly thinking how these designs could be interpreted in fabric, quilting or thread painting.

simple line drawings in pen

working on a new waterfall design

I recently started work on a new waterfall quilt and this time I decided I would make it a little bigger than the ones I have done before, although still using the same basic design. The first step was choosing all the different fabrics I would use, because although I have made this design before each time I do it, it’s like starting right from the beginning again. I have certain fabrics that I like, but then they run out and I’m always buying new ones, so the quilt always turns out differently.

inspiration photographs and some of the fabrics I've chosen.

inspiration photographs and some of the fabrics I've chosen.

Most of the fabrics I use are batiks or hand dyes, because of the subtle colour variations which I can use to replicate the patterns of the rocks in the background and foreground.

starting to build up the design

starting to build up the designMolly watching the progress of the waterfall

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Building up the background for the waterfall using a variety of different batik and hand dyed fabriccs.  For the area at the back of the waterfall I used a preprinted fabric and used fabric pens to emphasise the trunks and branches of the trees.

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I’ve used invisible machine applique to construct this top, first making templates from freezer paper which I iron on to the right side of the fabric.  I clip the seams, brush the edges with liquid starch, then turn under the edges using the tip of an iron. It is time consuming but I prefer this method to ironing the freezer paper on the wrong side and glueing the edges because this way I don’t have freezer paper to remove after. I also prefer the look of turned under edges.

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For the waterfall I used a batik fabric as the base, then added details using Shiva paintstiks and Angelina fibre. The rocks are all added individually and I have turned under the edges of each one. It’s a slow process but little by little I’m getting there.

adding the rocks to the foreground.

adding the rocks to the foreground.

Little by little I am adding all the rocks, then the next step will be to add some foliage to the foreground and background.

Leaf rubbings completed

Last month I wrote about the leaf rubbings I made using some dried leaves I’d collected in the jungle and paintstiks.You can see the post under “Paintstcks leaf rubbings”. I embellished the leaves with a blend of rayon and metallic threads then fused them to a black batik background and there they sat waiting to be finished until a few days ago.

I was going through my stash of browns and autumnal colours looking for fabric to complete another project when one of the batiks caught my eye and I thought it would be just right for my leaves. I just added a simple border as I felt the design didn’t need anything else.

 

completed-jungle-leaves

The colours of the border fabric compliment the colours I have used in the leaves. I quilted in the background using a fine black 50wt cotton thread and because there is no quilting on the leaves they stand out well from the background. I used a thicker variegated cotton 40wt thread in the borders.

Detail of the leaf rubbing and quilted background

Detail of the leaf rubbing and quilted background

Detail of Jungle Leaves Wall Hanging

I have frequently used this jungle plant in my art quilt wall hangings, either featuring the whole plant or using it as a detail in one of my larger rain forest pieces. I don’t know what type of plant it is but I love the curves of the leaves and the pronounced veins, perfect for interpreting into applique.

This time I wanted to try something a little bit different and just focus on a small detail of the leaves to create a more abstract design. It is an idea I’ve wanted to explore for a while and I was finally inspired by Katie Pasquini Masopust’s book: Design Explorations for the Creative Quilter where she devotes a chapter to exploring details of images.

I cropped the above image where two of the leaves overlap and create an interesting pattern.

I printed out the image and made an drawing on tranparency film which I thne scanned and imported into my Electric Quilt programme to create a pattern. Once the pattern was drawn out I went through my stash of greens  and chose over twenty different fabrics to recreate the shading in the leaf and add variety and interest. I printed out the pattern from EQ6 and traced one copy onto a satbilizer to use for the background and another copy onto freezer paper to use as a working pattern.

To make the design I cut out each section one by one from the freezer paper, applied it to the right side of my chosen fabric and then used starch and an iron to fold under the raw edge. Each piece is then applied to the background stabilizer and pinned, then I stitched each section in place using invisible thread and a reversed blind stitch.

The picture above shows the first sections stitched and further ones pinned in place and ready to stitch. I have used a mixture of batiks and tone on tone fabrics for greater variety and to add interest to the design.

This photo shows more leaf sections stitched in place. And finally the finished design.

I added a bright green narrow accent border and I outline quilted each individual section of leaf using rayon thread.

Fan Palms in the forest

On our walks in the rain forest over the border in Sarawak I have frequently photographed the fan palms that grow plentifully there in the national park and I have often included them in my rain forest design wall hangings.

Recently I decided to make a wall hanging featuring just these palms. I drew out a pattern using EQ6 and to replicate the background and to give an impression of all the rich colours of the fallen leaves I chose to construct it from small 4 inch foundation pieced crazy blocks which I printed out from EQ6.

The illustration above shows the proposed quilt with the foundation pieced background and the applique motif on top. To construct the foundation pieced blocks I chose a wide variety of fabrics, mostly batiks in various hues and shades of brown, matching them to a photo I’d taken of fallen leaves.

 Once the background was pieced and all the blocks put together I appliqued the fan palms using satin stitch applique and rayon threads, I used a novelty yarn for the stems which I couched in place using invisible thread. I added dark brown borders and then quilted the whole wall hanging using a variegated polyester thread.

The picture above shows a close up detail of the foundation blocks, palm leaves, quilting and couched stems.

The finished design.