“Tumbling Birds” – The finished quilt

After several months and many, many hours of work my “Birds and Flowers” quilt is finally finished and hopefully on its way to Birmingham (or maybe even already there).

Virtually all the applique was done with Aurifil 50 wt cotton thread and I used the same for the quilting. I actually did this part quite quickly because I when I first started to quilt the design it wasn’t looking so good with lumps and bumps all over the place so I wanted to get it finished and smooth again.

Before the quilting was done I also added some hand embroidery to make the stems for the little pink flowers.

Also to add a bit of interest to the larger leaves.

And hand dyed cotton thread on the tail feathers.

A section of the finished quilt. 

 Another section of the quilt showing some of the embroidery detail.

 

Birds and Flowers stitched

After many hours work I have finally finished machine stitching all the bird and flower applique. Here are a few photos showing some details.

I used mostly Aurfil 50wt thread for the applique as I wanted something subtle that wouldn’t stand out too much but blend with my hand dyed fabrics.

Detail of some of the flowers. The next step will be hand embroidery to add stems and detail to some of the leaves and the tail feathers.

New Hornbill design for 2013

While waiting for the threads I’ve ordered for my Birds and Flowers quilt I started work on a new hornbill design.

 To start with I made a sketch from the photo I’d taken in a friend’s garden, leaving out unwanted background details.

I drew out a pattern for it in EQ7 and then put it all together using my own hand dyed fabrics for the background and borders, and a mix of hand dyes and commercial batiks for the bird, which I stitched in place using a fine satin stitch and 50wt cotton thread. I used a fabric pen for the markings on the casque to give a more natural look.

 

Birds and Flowers_2

It’s been far too long since I updated my blog and one of my New Year’s resolutions for this year is to write more regularly, so I hope I can stick to it. New year, new project and I have just started work on something much larger than I usually do and using only my own hand dyed fabrics. This is a detail of the work so far

.… and this is the panel of batik sarong fabric that inspired it.

 I drew out the pattern for the appliqué in EQ7 and then the next challenge was to choose the fabrics I would use. I knew the colours I wanted to use but couldn’t find the right background so had to dye more fabric   until I came up with something I liked. The first stage of construction was laying out all the stems. I used a light box to roughly draw some placement lines.

 The flowers I preassembled on a special nonstick pressing sheet and then applied them to the background.

 It took me two weeks just to assemble all the pieces and fuse them to the background fabric.

The next stage will be the stitching. I tried a blanket stitch, but it looked too clumsy, I’m not so keen on raw edge applique so the alternative is a fine satin stitch using mostly Aurifil 50wt cotton mako and some Superior Masterpiece thread.

 

 

 

Batik inspired birds and flowers

A little while ago I got this piece of applique out to show some friends and I was suddenly inspired to get it finished. I actually started work on this design five years ago and have taken it out form time to time to do a little bit more.

The original design was inspired by a piece of Indonesian commercial printed batik sarong fabric  that I bought locally here in Brunei. I’d originally planned to use it for patchwork but I felt that the design was too nice to cut up but it took me a long time before I finally made it into an applique pattern.

The original piece of batik from which I made the pattern

Once I’d made the pattern the challenge was to choose the colours that I would use for the applique as I didn’t want to use the rather dull brown, black and white of the original. I chose a dark blue, almost black mottled hand dyed batik fabric for the background and pale pastel colours for the flowers, stems and leaves.

Detail of one of the applique flowers

One of the main reasons I stopped working on this design is that after completing most of the flowers I couldn’t decide what colour to make the two birds and how to assemble them. At that time my stash wasn’t as big as it is now and also I wasn’t too confident about putting the birds together. When I took it this recent time it was much easier to make a decision and I had several chestnut brown batiks that I felt would be perfect for the birds. I also had a book by Jane Townswick called ‘Applique Takes Wing’  which was very helpful for showing how to assemble the birds.

The tail feathers and wings were quite a challenge.

The two birds amongst the flowers

And finally the completed design just waiting to be quilted.

Toucan wall hanging

My blog has been rather neglected over the past few weeks as I have been so busy, but I haven’t been neglecting my sewing and this is a project I made several weeks ago for a friend. This is a departure from my usual hornbill designs, but a friend from my sewing group asked if I would make a wall hanging with a toucan on it for her as she has a property in Costa Rica and she often sees toucans there.My friend had brought me a picture to work from so I scanned it into EQ6 so that I could draft a pattern for the appliqué design.

toucan EQ6

The image above shows the design that I drew out in EQ6, ready to be made into an applique pattern. I decided to use invisible machine applique for this project as the pieces were large enough for the edges to be turned under, so I printed freezer paper templates and contstructed the bird before adding it to the background.

toucan-construction

 

 It was quite similar to make to a hornbill but the biggest challenge was getting the colouring and markings on the beak. I searched through my piles of fabric and found two different batiks which blended blues and yellows. I then added the details using fabric pens. I also added a little touch of colour where the yellow feathers join the black.

toucan-beak

For the background I chose a lovely hand dyed fabric by Frieda Anderson that I bought at the Festival of Quilts last year. Sometimes I find it hard it’s hard to cut into these special fabrics, but in the end I have to tell myself that I bought them to be used and they really do help to give  a special touch to the finished design.

Toucan-wall-hanging

The finished wall hanging, quilted with a variegated cotton thread in the background and a solid coloured thread for the borders.

Toucan-close-up

A more detailed photo of the finished wall hanging.

New hornbill wall hanging

Over the past couple of weeks I have been working on a new hornbill design for a wall hanging, based on this photo which I took a while ago.

hornbill in palm

I imported the photo into EQ6 and then because of the complexity of the design I decided I would draw out the pattern in two parts, first concentrating on the hornbill and then creating another layout focusing on the background palm fronds. I did this and then once the background was drawn I copied and pasted the hornbill into the background.

hornbill-in-palm EQ6 layout

To create the wall hanging I started off with some fabric that I had hand painted for the sky and invisible machine appliqué to construct the design. Normally I use freezer paper templates which I iron to the wrong side of the fabric and then remove after the construction is completed but for this design as there were so many small pieces I didn’t want to have to cut the back to remove the paper. I used a different method where I still use freezer paper templates but iron the paper to the front side of the fabric and then turn the edges under to wrong side using the tip of an iron and spray starch painted onto the seam allowance. The spray starch helps to hold the seam allowance in place.

I printed out the full size pattern from EQ6 and then traced the outlines onto a stabilizer which I pinned in place under my ‘sky’ fabric. The fabric was light enough for me to be able to see the lines through so that I could place my pieces accurately.

invisible machine applique

 

I used a lot of fine pins to hold the appliqué pieces in place for stitching. I used invisible thread with a fine thread in the bobbin and a very fine needle (#60/8) and started stitching the pieces in place a few at a time as I built up the design on the background.

imgp4316-010

I had a lovely striped batik fabric which proved to be just perfect for creating the varied colouring of the palm fronds.

applique frond background

The fronds at the lower edge of the picture were so small and had such sharp points that I decided to fuse them in and use raw edge appliqué. To quilt I used invisible thread and outlined all the fronds and the bird, with stippling in the background areas and meander quilting with variegated cotton thread in the borders.

hornbill-art quilt-wall-hanging

The finished design.

Birds in the garden

While we were having lunch on Sunday I suddenly spotted an unusual bird on the garden fence so I went to get my camera so that I could get some close up pictures to identify it. We’re approaching the time of year when we start getting  a few migratory birds passing through Brunei and we later identified this one as a type of cuckoo.

While I was taking photos of this bird we heard hornbills in the trees on the other side of the garden near the beach. Pied hornbills are quite plentiful here in Kuala Belait where we live, but we don’t get them very often in our garden so I was very happy to see this pair especially as I had my camera and zoom lens at the ready. The female stayed in amongst the trees so I wasn’t able to get any pictures but the male posed obligingly on an exposed branch.

I was inspired by the photos I took and for a while now I have been thinking about designing a new hornbill wall hanging so later I imported one of my photos into EQ6 and planned out a new design.

This is the new design for my hornbill wall hanging which I hope to start stitching in the next few days.