Ice dye vest top

digital print ice dye top

I used to do a lot of dress making for myself, then quilting took over and I haven’t done anything for years. With my recent interest in fabric design for digital printing I was inspired to get my patterns out and make something again with this cotton knit material that started life as an ice dyed fabric.

ice dyeing

I photographed the finished fabric and then manipulated it in Photoshop so that I had a mirrored image that I could use for a repeat pattern. I then had this digitally printed by Spoonflower on an organic cotton knit. I haven’t done much sewing with knits so I chose a simple pattern, but I still had to adapt it so that I could the arms and neckline using a knit binding instead of a traditional bias binding that the pattern called for. I was able to watch a class on Craftsy to help with this: “Sewing fashion knits” by Linda Lee.

 

I got out my old Janome overlocker which again I haven’t used for years and was delighted to find that it worked perfectly.

I made bound armholes and neckline following the directions in Linda’s class and found these gave a really nice finish. The soft colours of the print look great with jeans, although I think it’s look great with something white too. Now I’ve done this I am keen to experiment with more of my iced dyed fabrics and maybe even some of my hand dyes too. If anyone wants to make their own version of this top or anything else for that matter the fabric design is available in my Spoonflower shop in a wide range of different fabrics http://www.spoonflower.com/profiles/anne_renata

digital print ice dye top

 

 

First attempts at fabric design

Driftwood cushion

I am between quilting projects at the moment so while waiting for inspiration I have been having a go at designing my own fabrics and was excited to receive the first samples of my work last week from Spoonflower. I was really happy with how they turned out. They were even better than I was expecting because being my first attempt at creating repeat patterns it took quite a lot of trial and error to get the designs as I wanted them but I enjoyed the process and can’t wait to try some more ideas.

fabric samples from Spoonflower

I have used my quilt designs, drawings and photographs for inspiration for the fabrics. The gecko fabric is from one of my appliqué designs, and the flowers from drawings and watercolour sketches of periwinkle flowers that grow in our garden.

Inspiration for my periwinkle designs

The Driftwood fabric started off as a photo that I took of some driftwood on the local beach and then the image was mirrored and then mirrored again so that I could use it for a repeat design. I made this up into a cushion and I think it would look really great with outdoor furniture or very elegant on a plain cream, burgundy or back sofa or arm chair.

Driftwood cushion on chair

 

Flying Home

It has been an awful long time since I updated my blog but one of my new year’s resolutions for 2016 is to try and write more regularly, so here goes with my first post for 2016.

I recently tried out a new technique using up scraps of leftover hand dyed fabrics. They were just thin strips which I would normally have thrown away. I laid them out and fused them onto a piece of backing fabric. As the fabric scraps I had were oranges, golds and reds I created a sunset sky and then as I liked the effect I added dark blues for sea.

narrow fabric strips laid out on background

Like this there were a lot of raw edges exposed so next came the fun part. I got out a selection of various threads: rayon, polyester, cotton, some plain some variegated and of different weights too and free motion stitched across the surface. The stitching helps to blend the colours.

free motion stitching on background using a variety of threads The scene needed something else so I added the silhouette of an egret which I’d photographed on the beach a few weeks ago and created a pattern using #EQ7.

silhouette of egret on stitched background Finally a layer of batting and backing and more free motion stitching and a narrow binding to finish off the project.

Egret flying home across the south China sea

Flying Home

Forest Giant revisited

It doesn’t seem like like I’ve been back in Brunei a week already. In some ways it feels like I’ve been back longer, and the Festival of Quilts in Birmingham feels like an age away. Having my own stand there for the first time was a great experience, and I really enjoyed meeting and chatting to so many lovely people from all over the world, as well as catching up with a few ‘old’ friends. Thanks to everybody who came by, it was really a pleasure talking to you all. Lots of people wanted patterns so that’s something I’m going to work on for the future.

One of the wall hangings that many people commented on was my “Forest Giant”, a new version of  apiece I first made several years ago. A lot of people were interested to know how I made it so here it is again with some pictures showing the various stages.

I started off with a piece of my hand dyed fabric for the background, then added a few strips of fabric for tree trunks and then the main tree.
When I made this design before I used a single piece of fabric for the base of the forest floor but this time I decided to add various hand dyed strips to give more variety.
Then began the very time consuming process of adding all the leaves. I used lots of different scraps of fabric to give depth to the design. I backed each scrap with fusible webbing, the cut leaf shapes. Each leaf was then added individually. I would do a batch then fuse in place a few at a time …… not a good time to sneeze or have one of the cats walk over my design board!
I continued in this way until the background was covered as much as I wanted it. Then it was time for the final details and free motion stitching to complete the piece. I used a large number of different threads to achieve the look I wanted.

Isle of Wight landscapes

While I was at The Festival of Quilts last year I was impressed by the beautiful landscape quilts by Kathleen Matthews. I bought her book “Stitched Textile Landscapes” but it is only now, six months later that I have had a  go at trying out her techniques, and this is what I came up with, inspired by some photos taken on the Isle of Wight when I was back there a couple of years ago.

This is the place where I was born and grew up so it has many fond memories for me.

My inspiration photo and a selection of my hand dyed fabrics for the background. The pieces were first pinned and then stitched in place, quite a fiddly job with all the small pieces.

The background assembled and stitched in place. It looks quite plain at this stage although already you get the feeling of depth. The fun part comes with the free motion stitching which really brings the design to life.

I used mostly rayon threads for the free motion embroidery, but a few cotton and polyester threads too, depending on what colours I needed for the look I wanted.

I was really pleased with the way this turned out so I decided to try another one based on another Isle of Wight photo. This time the view from Forelands beach where I used to live, looking across to Whitecliff Bay and Culver Down. I used to look out on this every day and have always wanted to make something inspired by this view.

The first stages before the thread embellishment. I didn’t have any hand dyed fabric the right colour for the sea but found a piece of piece of cloth I painted years ago which was just perfect.

The finished piece. I think there might have to be a series of these as I’m really enjoying making them and I have heaps of photos for inspiration and it makes quite a nice change to be doing work inspired by a different location, although this technique would probably work for some of my rain forest designs too.

Seed Pod Reflected

I started work on a new appliqué quilt wall hanging in November and just got it finished last week.

This design is inspired by the seed pods of the Pom Pom tree that one can find washed up on the beach here in Brunei.

I originally worked on this theme as part of my City and Guilds “Creative Quiltmaking” course, and the quilt I made, which was one of my assessment pieces was actually pieced. Even at the time I was doing it I wanted to make it again as an appliqué piece using my now hand dyed fabrics. I used one of my sketches to create a design in EQ7, and the theme was to do with using a mirrored image, so this is what I came up with for my pieced quilt.I later modified this design so I could use it for appliqué. This is the initial design.I felt the fabric needed more texture, so I hand embroidered every appliqué piece before applying to the background.  I still felt the design lacked something as there was a high empty gap between the two halves of the design, so I used some of my leftover cut out pieces and experimented with placing them in the middle. 

This looked much better and to balance the design I added two more pieces top and bottom and two pieces to the outer edges which ave more of the feel of the curves of the original seed pod. Detail of stitching. 

I echo quilted using a fine thread. 

Iban Design Continued

Recently I’ve been experimenting with the back basting method for hand appliqué after buying the excellent book “Back-Basting Appliqué Step by Step by Barbara J. Eikmeier. I have found it to be very effective and accurate so inspired by my sample pieces I decided to get out my Iban Design project to work on again. This project has been languishing in my sewing box for a while. I thought it was only a year but when I went back to my blog post Iban Design I discovered that I actually started work on it in 2010!

As I’m working on a dark background I found the easiest way to transfer the markings to the back of the quilt is to use my original freezer paper templates and a transparent overlay to ensure correct placement.

I then used a fine white marker to trace round the templates.

Basted and ready to start appliqué.

Work in progress. Funny how cat hairs get everywhere!

“Tumbling Birds” – The finished quilt

After several months and many, many hours of work my “Birds and Flowers” quilt is finally finished and hopefully on its way to Birmingham (or maybe even already there).

Virtually all the applique was done with Aurifil 50 wt cotton thread and I used the same for the quilting. I actually did this part quite quickly because I when I first started to quilt the design it wasn’t looking so good with lumps and bumps all over the place so I wanted to get it finished and smooth again.

Before the quilting was done I also added some hand embroidery to make the stems for the little pink flowers.

Also to add a bit of interest to the larger leaves.

And hand dyed cotton thread on the tail feathers.

A section of the finished quilt. 

 Another section of the quilt showing some of the embroidery detail.

 

Jungle Leaves

I recently signed up for a Craftsy class with Gloria Loughman called “Linear Landscape Quilts”. It’s  a really good class and the first sections on choosing colour schemes and fabric painting are almost a class on their own. To make her “linear landscapes” she uses two layers of fabric and a clever raw edge applique technique which reveals slithers of the underneath fabric to create the effect of contours. The landscape she created is very appealing but as I watched the video I realized that this technique could be adapted for things other than landscapes so I decided to try it out on one of my own designs.

My inspiration was this jungle plant which grows in the Sarawak rain forest and has beautiful curved and ribbed leaves.

My first piece is a close up study of these leaves using some of my hand dyed fabrics.

I was happy with the way that this first piece turned out so I decided to try it on a larger design using the complete leaves.

I used a bright green for the base, with a darker green for the main part of the leaf, and made three pieces like this. It’s  time consuming but very effective.

Purple Challenge

I belong to an online challenge group linked to my Janome 6600 and 7700 sewing machines and last month’s project was to create something using at least five different purple fabrics. This appealed to me because when I’m dyeing I almost always seem to end up with more turquoise and fuchsia left over and from these loads of different purples.

hand dyed purple fabrics

 I decided to randomly strip piece some of these fabrics together to create a background. I varied the widths and curves to create more interest and ended up with this piece.

random strip pieced background

 I then added some applique flowers trying out a new method of machine appliqué which I have just learnt on a Craftsy class with Beth Ferrier. She uses a narrow zig zag stitch rather than the reversed blind stitch which I have used in the past and creates an almost invisible finish.

I then quilted the whole piece with a variegated rayon thread, roughly following the curved lines.

 I wanted to experiment a bit more with this technique so made another small piece using a piece of multi coloured hand dyed fabric which I’d always thought rather unusable but cut into a small square looked so much better than I’d imagined