my inspiration photo

I used foundation pieced crazy blocks in several different designs to create the base of the design: the forest floor and the background foliage.

selection of fabrics and inspiration photo for forest floor

making the foundation pieced blocks for forest floor

The finished background still has too many straight lines and abrupt changes of colour, but the next process of the design will be to add small fabric snippets to create more subtle blending especially where the foliage and forest floor meet.

the pieced background which will form the basis for the design

The instructions given were for a technique called low water immersion dyeing, which means dyeing the fabrics in a small amount of liquid, using plastic bags or small containers. As well as being economical with the dyes this method produces lovely patterned effects depending on how much you manipulate the fabric in the early stages and how much liquid is added.

The aim of the activity was to produce a range of fabrics inspired by the inspiration items I had collected for the course. Not being sure how well these would turn out and being limited by the amount of fabric I had available I cut a lot of my fabric pieces into fat eighths. Even so I soon ran out of fabric and rather than waste the precious dye I used some local cotton calico fabric which also turned out beautifully.

I was really pleased with the way the fabrics turned out and am so glad that I have finally been prompted to try it as I am sure it is something I am going to do a lot of in the future. I love playing with colour and experimenting with the blends to try and get just what I want.

The exciting part is when having left the fabric overnight in the dye solution, you come to rinse it all the following morning and suddenly the wonderful patterns and colours start to emerge.

I ordered some more fabrics and had another big dyeing session, this time experimenting with scrunching the fabric into small containers, as well as using bags, and this produced some more lovely effects.

Of course with all this lovely new fabric to play with I couldn’t resist using some of it for the background for a new wall hanging that I wnated to make.

The first place I stopped was only just inside the forest, an old tree stump, surrounded by an abundance of growth and an ideal place to stop and make my first sketches.

Over the years I have taken many photos in the rain forest and used them as inspiration for my quilts, but there is a very different feeling when you take the time to stop and draw a plant. One becomes far more aware of the shape, shading, texture and various patterns, all of which are important to me when it comes to creating a new design.

some of my rough sketches

I was prompted to do this sketching as part of the City and Guilds Course on Creative Quiltmaking which I started at the end of last year. I am studying the course online through Linda and Laura Kemshall at Design Matters and I’m finding it wonderfully inspiring even though I haven’t even begun to do any stitching yet.

more detailed drawings made at home

Almost all the sketches I made were of various leaves and plants as the purpose of the exercise was to concentrate on shapes and patterns rather than texture or colours. When I got home and did some more detailed drawings I was constantly thinking how these designs could be interpreted in fabric, quilting or thread painting.

simple line drawings in pen

 With the samples made I decided it was time to start work on the full size pieces, and the first thing to do was to paint the four different sunset backgrounds. I used fabric paints on dampened fabric as I wanted the colours to run and blend with each other. I used a pale wash of diluted yellow on each panel, then added red, orange and purple to create my sunsets. For the palest sky I also used a dilute blue wash for the top half. The effectts can be a bit unpredictable and two of the skies I had to do again before I was happy with the results.

I fused each panel to a piece of muslin and then added batik fabric for base and sky line. The four panels are now ready to be embellished with free motion stitching to simulate the tree tops as in my sample piece.

While I was putting these together I happened to leave the muslin backing fabric in a pile on the floor and that soon became a comfortable sleeping spot for Suzie.

I haven’t done the trip for a while so it was good to see that there is still plenty of vegetation, although in some areas it was noticeable that many of the tall trees were no longer there. Some, victims of the terrible forest fires we had a number of years ago and others that have been logged.

These bright orange leaves caught my eye amongst the vegetation, from a distance they looked like flowers. In my last post I wrote about the wall hanging I’d just made, inspired by the birds nest ferns which we have growing in the garden, and whilst drifting down the river I spotted this beautiful specimen high up in the trees.

It was so peaceful drifting down with the current listening to all the exotic calls of the birds, insects, frogs and monkeys, some we could indentify and others not.

I drew out a pattern in EQ7 and then I decided I would try out the design in a small format as fabric post cards.

For the small design I had some bright green batik fabric which I’d had a while and not used because it was less tightly woven than normal batik and I’d always thought it  a bit flimsy, but it worked fine for this project. For the larger piece I used some beautiful hand dyed fabric by Heide Stoll-Weber which I’d bought at the Festival of Quilts this year. I was a little reluctant to cut into it so soon but the fabric was so perfect, with all  the subtle colour variations, I had to use it.

I assembled the ferns using a non stick pressing sheet before fusing them to the background fabric. I then used a fine satin stitch round all the edges.

Detail of the stitching and quilting

white allamandas against an early morning sky

It was still a little overcast after a predawn shower and the flowers and plants were wet from the rain.

Heliconia flower

The garden isn’t looking at its best at the moment as I have been too busy quilting lately to devote as much time to it as I should. Everything grows so quickly in this climate and the garden can very quickly get out of hand. Perfect for small cats to play hide and seek in!

No one can see me here if I keep very still

The bougainvilleas also grow into huge shrubs here, and are in constant need of pruning.

Of course, Millie isn’t the least bit interested in gardening and thinks it is a complete waste of time as long as she has somewhere comfortable where she can lounge and keep an eye on things.

Millie looking contented with life

 Madagascar periwinkles grow almost like weeds and crop up all over the garden, but they are pretty and add a bright splash of colour wherever they turn up. I have used them for inspiration for both a cross stitch design and a small quilt, so maybe it is time for another one.

Madagascar Periwinkles

I have yet to make a quilt featuring a Bird’s Nest Fern, but we have a beautiful specimen in the garden, and the best thing now is that the spores have been carried on the wind and we have new ones cropping up all over  the place. I love the delicate curves of the new leaves as they unfurl.

Birds Nest Fern

My favourite colour is green and I love using it  in my quilts. I have a large selection of fabrics in every possible shade of green and I’m working on my thread collection so here is yet another possiblity for a new design.

A pretty pair of toads

These toads were taking an early morning bath, but nice as they are, I’m not planning to put these into a quilt, unless of course, someone specially requested it. Frogs are very popular, and I have sold a large number of my tree frog wall hangings but I don’t think toads have quite the same appeal.

Well, that’s all for now. I think I have given myself some new ideas to think about once I have done my final craft show tomorrow.

I imported the photo into EQ6 and then because of the complexity of the design I decided I would draw out the pattern in two parts, first concentrating on the hornbill and then creating another layout focusing on the background palm fronds. I did this and then once the background was drawn I copied and pasted the hornbill into the background.

To create the wall hanging I started off with some fabric that I had hand painted for the sky and invisible machine appliqué to construct the design. Normally I use freezer paper templates which I iron to the wrong side of the fabric and then remove after the construction is completed but for this design as there were so many small pieces I didn’t want to have to cut the back to remove the paper. I used a different method where I still use freezer paper templates but iron the paper to the front side of the fabric and then turn the edges under to wrong side using the tip of an iron and spray starch painted onto the seam allowance. The spray starch helps to hold the seam allowance in place.

I printed out the full size pattern from EQ6 and then traced the outlines onto a stabilizer which I pinned in place under my ‘sky’ fabric. The fabric was light enough for me to be able to see the lines through so that I could place my pieces accurately.

I used a lot of fine pins to hold the appliqué pieces in place for stitching. I used invisible thread with a fine thread in the bobbin and a very fine needle (#60/8) and started stitching the pieces in place a few at a time as I built up the design on the background.

I had a lovely striped batik fabric which proved to be just perfect for creating the varied colouring of the palm fronds.

The fronds at the lower edge of the picture were so small and had such sharp points that I decided to fuse them in and use raw edge appliqué. To quilt I used invisible thread and outlined all the fronds and the bird, with stippling in the background areas and meander quilting with variegated cotton thread in the borders.

The finished design.

Impressive buttress roots of a rain forest tree

We set off quite late,there was a queue at the border and it was almost midday by the time we set off and so we didn’t see much in the way of wildlife. We’ve had a lot of rain recently so the paths were quite wet underfoot and there were a lot of leeches, but we reached the waterfall which was our destination without mishap. After walking for an hour we were all hot and sweaty so it was refreshing to plunge into surprisingly cold water of the forest pool and cool down.

Forest Pool

The waterfall which has inspired the various waterfall quilts that I’ve made.

Lush forest vegetation